![]() This too became a defining feature of the Suprematist project. Their emphasis on reduced geometric forms also compelled viewers to consider the texture of the painted surface. The “zero degree” was represented by his (in)famous Black Square and White on White paintings. The Suprematists were in search of the point at which abstract art could be reduced to its most fundamental form, what Malevich called art’s “zero degree”.The movement’s simplification of form and color proved influential, especially through the efforts of Malevich’s famous understudy El Lissitzky, in the development of later avant-gardes including the Constructivist, Bauhaus, and De Stijl schools. Suprematists also explored the idea of non-Euclidean geometry that being a practice that “defied logic” by giving the illusion of fixed geometric forms floating or moving in space. Suprematism focused on the application of elementary geometric forms such as the square, the cross, and the circle. ![]()
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